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Collects #1-6. By Eric Peterson and Joe Aubrey. Art by Darick Robertson. Introduction by Publisher Mark Waid. From the acclaimed artist of Transmetropolitan and The Boys). In the future, unemployment and job dissatisfaction are sky-high. When you’ve got nothing left to lose, you join the Intergalactic Postal Service (IPS). Its postal fees are steep — and they go only to whomever ultimately fulfills the delivery, making every run a comically violent free-for-all between the most ruthless mercenaries in the cosmos! Humanoids, 2021.

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From the acclaimed artist of Transmetropolitan and The Boys). In the future, unemployment and job dissatisfaction are sky-high. When you’ve got nothing left to lose, you join the Intergalactic Postal Service (IPS). Its postal fees are steep — and they go only to whomever ultimately fulfills the delivery, making every run a comically violent free-for-all between the most ruthless mercenaries in the cosmos!

The interplanetary ensemble cast of Space Bastards, under the volatile leadership of Postmaster General Roy Sharpton, are constantly at each other’s throats trying to settle scores and earn big money. But when a rival corporation’s teleportation technology threatens to make their role in the galaxy obsolete, the Bastards must work together to preserve a job they’ve come to love.

Includes bonus pages with character studies, and a look at the page art from inception to pen and ink to coloring.

From Mark Waid’s introduction: “These stories are, in fact, about bastards. Hardly a redeemable soul in the bunch. But it’s a film teacher’s myth that the protagonist has to be “likeable.” Bullshit. You just have to want to spend time with them…Readers will put up with (or page giddily through) no end of bad behavior, violence, sex and raunch if they’re sufficiently entertained…go meet David S. Proton and his co-workers. You’ll be glad you did.”

“A series of surreal and often bloody vignettes by some of the best…A Looney Tunes-esque parade of debauchery and dynamism…a portrait of a universe gone mad.” -Screenrant

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