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From Wikipedia: In 1906, after two years with Pyle, Dunn established his own studio in Wilmington and immediately began a successful career in illustration. He was a prodigious painter, able to produce (on one occasion) fifty-five completed paintings in eleven weeks for various clients. A contemporary described his style in these terms, “He literally attacked a canvas and sometimes I thought he would impale the painting with his brush.”
In 1914, Dunn moved east and settled in Leonia, New Jersey, across the Hudson River from New York City and its publishing world. Inspired by Pyle's example, Dunn opened the Leonia School of Illustration in 1915 with artist Charles S. Chapman.
The years before the country's involvement in World War I turned out to be Dunn's most prolific period as an illustrator. His experiences at the front as one of eight artist-correspondents with the American Expeditionary Force in Europe were a turning point for the artist. Dunn's interest in commercial illustration declined on his return to the United States. Instead, the artist envisioned working for several years for the War College committing to canvas his sketches of the battlefields of Europe. Unfortunately, demobilization occurred at a rapid pace, and Dunn's project was rejected. It became the big heartbreak of his life. However, Dunn was able to salvage part of his ambitious plan; in 1927, he began to paint covers with military themes for The American Legion Monthly magazine. The majority of Dunn's war sketches are now housed at the Smithsonian Institution in the National Museum of American History in Washington, D.C.
The South Dakota Art Museum in Brookings, South Dakota, houses approximately 140 of Dunn's best works. His "often seen" painting Dakota Woman, from his series of strong pioneer women, is housed at Dakota Discovery Museum in Mitchell, South Dakota. The Chuckwagon is a 1915 Dunn painting owned by the Denver Art Museum. The Smithsonian Institution notes it is a "quiet scene depicting a small group of cowboys seated on the ground beside a chuckwagon, their backs turned toward the viewer, their horses standing nearby, and a pond in the background."
(Right) Illustration for a serialized novel in the June 1922 Harper's Magazine.
Later in life Dunn remarked: “The most fruitful and worthwhile thing I have ever done has been to teach.” Dunn became an influential and revered teacher; students referred to him as “Mr. Dunn” as a sign of respect and admiration. The majority of Dunn's students were either graduate level painters or professional illustrators. Dunn was not interested in teaching painting techniques. His approach was philosophically oriented. He spoke about spirit, emotions, and discourse at length. He discussed his philosophy of life and art, offered group criticism, and strode from easel to easel discussing each student's work in turn.
Dunn's most inspired teaching was probably achieved at the Grand Central School of Art, which was established by the Grand Central Art Galleries and located on the top floor of Grand Central Terminal in New York City. His comments were captured by a student during a five-hour class session and were published in 1934 in a slim volume titled An Evening in the Classroom.
Dunn was a demanding teacher and at times a harsh critic. He believed in preparing his students for the harsh realities and intense competition of the commercial world. Talent was not enough. As he once said, “If you ever amount to anything at all, it will be because you are true to that deep desire or ideal which made you seek artistic expression in pictures.”